About the artist
Sisso’s productions epitomise Singeli’s hyperlocal scenius, distilling the vitality and struggle of life of the fringes of the Swahili-speaking world’s most populous city, into a unique music which seems to reflect the idea of keeping a cool head in frenetic situations. Between his ratchet rhythms and pitched-up melodies there’s a sublime, unresolved tension at play, where the music feels to accelerate so fast that dancers are glyding, sustaining a breathlessly “up” effect that uncannily recalls mid ‘90s UK Happy Hardcore as much as Chicago Footwork, Caribbean Soca and Shangaan electro, yet with a psychotomimetic appeal all of its own.